BABY DRIVER (2017)

Review by Derrick Carter

Running Time: 1 hour 53 minutes

MPAA Rating: R for Violence and Language throughout

Directed by: Edgar Wright

Written by: Edgar Wright

Starring: Ansel Elgort, Kevin Spacey, Lily James, Jon Bernthal, Eiza Gonzalez, Jon Hamm & Jamie Foxx

Since the mid-90s, director/writer Edgar Wright has been imagining BABY DRIVER. This action flick would serve as a passion project for years as he fine-tuned every detail and constructed the plot. In 2017, BABY DRIVER has finally arrived! There’s no other way of putting it: BABY DRIVER is awesome! The blend of music, action, and relentless storytelling that is lovingly placed into every scene, fleshed-out character, and carefully placed song is a wonder to behold. BABY DRIVER has cemented its place as one of my favorite action films and I guarantee that this will go down as a celebrated classic or (at the very least) gain a passionate cult following.

Young tinnitus-stricken getaway driver Baby (Ansel Elgort) has spent years repaying a substantial debt to mob boss Doc (Kevin Spacey), all while blasting tunes to keep his “hum in the drum” at bay. With his affairs finally caught up, Baby believes that he’s out of the crime-filled lifestyle for good and begins to go legitimate. To further boost Baby’s upbeat look on life, he’s found a loving relationship with waitress Debora (Lily James). Unfortunately for Baby, Doc comes calling and the driver finds himself stuck in a heist that has unexpected, potentially deadly curveballs. As Baby attempts to escape his life and runaway with his girlfriend, bullets fly, engines rev, and music blares. It’s a cinema lover’s dream and will surely please loads of action fans.

Edgar Wright directs the hell out of this film with attention to detail in every frame and a style that perfectly feeds into the fast-paced storytelling. The soundtrack blares, blasts, and plays through the entire movie, making the music an essential ingredient to this adrenaline-pumping cinematic recipe. When Wright occasionally removes the music as certain characters threaten Baby or he drops an iPod in the middle of a chase, tension immediately erupts as the music (and its absence) takes the viewer into reluctant criminal’s head and lets us experience the world as he does. The action choreography and flow of scenes to the music is perfectly matched up, making for one hell of a thrilling, funny, and thoroughly entertaining ride.

To boot, BABY DRIVER’s action sequences are stellar. The car chases will have the viewer hooked as Baby pulls off insane moves and proves himself to be “Mozart in a go-kart.” I’m sure that certain moments were undoubtedly aided by computer generated effects, but these all appeared practical and it wouldn’t surprise me to find that BABY DRIVER had an insane stunt team of adrenaline-junkies who wanted to aid Wright’s action-packed art. The gun fights and heist sequences also have emotional stakes thrown into them as little details come back in big ways. Even when the film integrates well-worn action clichés (you can see certain plot points coming), it does so in a loving manner that fully embraces the genre as opposed to merely using them as lazy developments.

As the titular getaway driver, Ansel Elgort delivers the best performance of his career yet…turning Baby into a charming Steve McQueen type action hero and instantly winning the viewer over. Lily James has fantastic chemistry as Baby’s newfound girlfriend and their relationship seems totally natural on the big screen. As far as villains go, Kevin Spacey brings his usual high-caliber acting as an intimidating mobster who has a sense of humor and a genuine connection towards Baby. Meanwhile, Jamie Foxx is scary as the stone-cold psycho of the bunch. Jon Hamm and Eiza Gonzalez are perfect as a Bonnie and Clyde pair, who are likable in moments and threatening in later scenes as their dark sides come out. It’s also worth noting that Jon Bernthal, Flea (from Red Hot Chili Peppers), and Lanny Joon are all very fun to watch as side thugs who only receive a few minutes of screen time.

To put it simply, BABY DRIVER is an action movie lover’s dream come true and also serves as an adrenaline-pumping masterpiece for cinephiles everywhere. It’s a film that weaves excitement, romance, comedy, and a quasi-musical score into the space of two glorious hours. Edgar Wright’s passion for this project comes through in every second of screen time and you’ll likely be listening to the soundtrack on repeat for days after sitting through this film. I’m gushing over BABY DRIVER, but it really is that amazing. BABY DRIVER is one of 2017’s best movies so far, it might be Edgar Wright’s best film (in a filmography that’s loaded with tough competition), and it’s easily one of the best action pictures that I’ve ever had the pleasure of sitting through. See it!

Grade: A+

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