LOGAN (2017)

Review by Derrick Carter

Running Time:  2 hours 17 minutes

MPAA Rating: R for Strong Brutal Violence and Language throughout, and for brief Nudity

Directed by: James Mangold

Written by: Scott Frank, James Mangold & Michael Green

(based on the WOLVERINE comic books by Ray Thomas, Len Wein & John Romita Sr.)

Starring: Hugh Jackman, Patrick Stewart, Richard E. Grant, Boyd Holbrook, Stephen Merchant & Dafne Keene

Out of the 21st century superhero cinema boom, the X-MEN films are among my favorites. Besides having a vast catalog of colorful heroes and complex antagonists, these movies utilize smart social commentary through mutants and paranoia. I don’t think that anybody could argue against the series’ biggest highlight being Hugh Jackman’s Wolverine. This character is a fan favorite for plenty of reasons. He’s brash, straddles the line between hero and antihero, and has a strong moral compass (even if he won’t admit to it). LOGAN marks the tenth X-MEN film and the final time that Jackman will portray Wolverine. This is a dark, mature, excellent closing chapter to the saga and a fitting final film for Jackman’s character.

The year is 2029. Almost all of the X-Men are dead and mutants have pretty much gone extinct. Logan/Wolverine (Hugh Jackman) is past his prime and succumbing to old age. He works as a limo driver and takes care of an ailing Professor X (Patrick Stewart) in an abandoned factory off the Mexico border. Logan just wishes to live out his final years with the Xavier on the ocean, away from people. However, his plans change when he meets 11-year-old Laura (Dafne Keen). Laura is a mutant (very much like Logan) and some very bad people are hunting her. In an effort to save a life and do some good, Logan makes a dangerous cross-country journey to get Laura to a safe haven…but the healing-impaired Wolverine may be in over his head.

In the course of seventeen years, Hugh Jackman has given us an iconic big-screen superhero. It’s pretty much impossible to imagine someone else playing Wolverine. I mean, just try to think of someone else in the role. Try it right now. You can’t do it, can you? Jackman’s final outing as Wolverine provides an intensely dramatic and emotional side to the character that was seen in previous films, but never to this extent. Wolverine’s smart-ass sense of humor and animal-like nature is still in play, but he becomes an all-out tragic hero in this film.

On the supporting side of things, Patrick Stewart reprises his role as Professor X and gives us a grim look into what happens when a deteriorating disease attacks the world’s most powerful brain. Stewart’s latest outing as the wheelchair-bound psychic is easily one of his best stints as the character, while also serving as X’s saddest story ever. Stephen Merchant stars as an albino mutant, whose power is tracking other mutants. Though he mainly seems to be a means to an end, Merchant’s Caliban is a colorful addition to the X-MEN cinematic cannon. Newcomer Dafne Keene is a stand-out as preteen mutant Laura and delivers one of the best child performances that I’ve ever seen (right up there with Jacob Tremblay in ROOM).

As far as the villains go, Richard E. Grant has a small, but powerful role to play. I won’t go into specific details for fear of spoilers, but he’s memorable for most of his screen time. The bigger antagonist is Boyd Holbrook as the psychotic leader of a mutant-hunting team. Holbrook sports a country bumpkin accent alongside charisma that quickly becomes a downright despicable attitude. I was rooting for Holbrook to die a horrible death. That’s how good he was in this role as a robotic-armed baddie.

Besides stellar performances, LOGAN’s screenplay smartly sets up a near-future that doesn’t seem too futuristic. Instead, this is a grim look at the fate of mutants and nicely sets up potential for some interesting future installments (assuming the studio is smart enough to greenlight more dark, mature mutant stories). LOGAN’s R-rated approach is refreshingly grown-up. The film feels like an adult superhero story that was made for adults. We get Wolverine cursing (much like he does in the comics), mature themes being tackled (age, life, purpose) and lots of graphic violence.

Further encapsulating on the film’s R rating, Wolverine and Laura rip through armed thugs like paper and it’s so cool to watch. Limbs and blood cover nearly every action scene, making for some of the best serious R-rated action since MAD MAX: FURY ROAD. This is Wolverine doing what he does in the comics…and now we get to see it in all of its gory glory on the big screen. The plot’s darker tone almost seems like a violent Western that happens to star Wolverine and is set in the near-future. While DEADPOOL‘s cheeky over-the-top violence was fun and entertaining, LOGAN’s approach is darker, bleaker, and played with a straight face. Every kill has weight behind it and a few deaths left me shocked.

I still can’t decide if LOGAN is my favorite movie in the X-MEN series (it’s definitely in my top three), but this was the perfect way to end the original saga. This isn’t a happy, fun superhero movie, but rather a depressing and emotional final chapter in a long-standing film legacy. Hugh Jackman will always be Wolverine to me and this was a fitting film for him to end on. LOGAN is fantastic and stands out as one of the best superhero films that I’ve ever seen! If you’re a fan of X-MEN at all, then you owe it to yourself to see this film!

Grade: A+

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